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An Ode to Vinyl Siding in Williamsburg

November 10, 2010 By Robert Lanham

The New York Times included a short quote by yours truly in this article on vinyl siding. And yes, I really do live in a pink building.

To Mr. Canfield, replacing vinyl siding that is in good shape, as some homebuyers do as soon as they have the deed, is like carelessly restoring antiques that came over on the Mayflower. He views vinyl siding facades as the key to preserving Williamsburg’s working-class traditions, which arguably has become its own facade.

“It’s not the most beautiful thing, but it’s real,” he said. “It’s authentic. It’s tied to the history of the neighborhood.”

In a neighborhood like Williamsburg where vinyl siding is as dominant as brownstone is in Park Slope and concrete is in Midtown, many residents are ready to fight with Mr. Canfield with equal passion. Real estate bloggers devote hours mercilessly photographing homes and posting online what they think are the most lowbrow examples. To the preservation-minded, vinyl siding and its close cousin, aluminum siding, are a hideous blot on the landscape.

“I can’t imagine anyone liking vinyl siding,” said Robert Lanham, who rents a floor in a Pepto-Bismol-colored vinyl-sided house in Williamsburg and praises neighbors who go back to wood. “If you have the means and time to get rid of it, I’m all for it,” said Mr. Lanham, author of “The Hipster Handbook.”

Filed Under: Blog, Press

Garrison Keillor Discusses My Work on The Writer’s Almanac

March 20, 2010 By Robert Lanham

This pretty much made my year. You can visit The Writer’s Almanac website and listen to the podcast here, or I’ve archived the MP3 here for posterity. Just wow.


image via

Filed Under: Blog, Press

“Place-dropping” The Scary Nudists I Encountered In Tulum

March 20, 2010 By Robert Lanham

Misty Harris included a quote from me in her latest trend piece on “place-dropping:

“The inevitable I-wanna-be-on-vacation factor makes the pretension harder to dismiss,” says Robert Lanham, bestselling author of three books on cultural foibles.
Lanham suggests the key to a successful place-drop is knowledge of which travel war-stories will help and which will hinder — something he carefully considered after stumbling upon a clothing-optional beach during a recent trip to Mexico.
“It’s not going to win me any favours to place-drop that ‘John Denver songs sure sound better when performed on a pan flute by leathery nudists in Tulum,’ ” says Lanham. “And yes, this happened.

Aforementioned, scary nudists after the jump. Too bad I don’t have video of them playing “Annie’s Song.”

[Read more…]

Filed Under: Blog, Press

I’m Yale Worthy!

January 31, 2010 By Robert Lanham

I got a really nice mention in the Yale Daily News.

In closing his talk, Monks read a popular piece from McSweeney’s entitled “Internet Age Writing and Course Overview” by Robert Lanham. The piece is written as an English class syllabus but satirizes the new state of writing on the Internet, from blogs to Twitter and Facebook. The “course” covered everything from “Week 1: reading is stoopid” to “Week 5: I can haz writing skillz?” and demanded “ENG: 231WR — Facebook Wall Alliteration and Assonance” and “ENG: 232WR — Advanced Tweeting: The Elements of Droll” as prerequisites, among others. Monks said the piece exemplified what McSweeney’s tried to publish: “pop-culture oriented conceptual humor.”

Thanks Christopher! Here’s the piece.

Filed Under: Blog, Press

Another Quote About Wes Anderson In SF Weekly

December 6, 2009 By Robert Lanham

Evidently, this story was syndicated all over the place:

Then, the air came out of the tires. Released in 2004, The Life Aquatic with Steve Zissou cost $60 million and took in $24 million. The more modestly budgeted Darjeeling Limited grossed $12 million in 2007, $5 million less than Rushmore. These were commercial failures, sure, but the critics were also starting to pile on. Phrases like “too precious,” “cloying” and “detached” popped up more and more in Anderson’s reviews.
In one case of hipster cannibalization, The Hipster Handbook author Robert Lanham, writing for the ubercool Viceland Web site, said of The Life Aquatic: “Wes Anderson doesn’t make movies anymore. He creates overly precious paintings inhabited by emasculated man-children who knit sweater vests to the accompaniment of Belle & Sebastian while fantasizing that they’re macho enough to skin a caribou with a pocketknife. The set pieces to The Life Aquatic are stunning, but watching this film is like visiting the Natural History Museum. It’s a beautiful building, but most of its pleasures are filled with lifeless things.”

For the record, I think Wes is back. Fantastic Mr. Fox was his best film in years. It’s great to see him back on track.

Filed Under: Blog, Press

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Garrison Keillor discusses my work on The Writer’s Almanac.

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